God of My Dai­ly Routine (9)
God Comes to Us Continually 

Again and again I must take out the old note­book in which I copied that short but vital pas­sage from Ruys­broeck many years ago. I must reread it, so that my heart can regrasp it. I always find con­so­la­tion in redis­cov­er­ing how this tru­ly pious man felt about his own life. And the fact that I still love these words after so many years of rou­tine liv­ing is to me a sacred pledge that You will one day bless my ordi­nary actions too. 

God comes to us con­tin­u­al­ly, both direct­ly and indi­rect­ly. He demands of us both work and plea­sure, and wills that each should not be hin­dered, but rather strength­ened, by the oth­er. Thus the inte­ri­or man pos­sess­es his life in both these ways, in activ­i­ty and in rest. And he is whole and undi­vid­ed in each of them, for he is entire­ly in God when he joy­ful­ly rests, and he is entire­ly in him­self when he active­ly loves.
The inte­ri­or man is con­stant­ly being chal­lenged and admon­ished by God to renew both his rest and his work. Thus, he finds jus­tice; thus, he makes his way to God with sin­cere love and ever­last­ing works. He enters into God by means of the plea­sure-giv­ing ten­den­cy to eter­nal rest. And while he abides in God, still he goes out to all crea­tures in an all-embrac­ing love, in virtue and jus­tice. And that is the high­est stage of the inte­ri­or life. 
Those who do not pos­sess both rest and work in one and the same exer­cise, have not yet attained this kind of jus­tice. No just man can be hin­dered in his inte­ri­or rec­ol­lec­tion, for he rec­ol­lects him­self as much in plea­sure as in activ­i­ty. He is like a dou­ble mir­ror, reflect­ing images on both sides. In the high­er part of his spir­it he receives God togeth­er with all His gifts; in the low­er he takes in cor­po­re­al images through his sens­es


Rah­n­er, Karl. ​“Encoun­ters with Silence.” In Spir­i­tu­al Clas­sics: Select­ed Read­ings on the Twelve Spir­i­tu­al Dis­ci­plines. Edit­ed by Richard J. Fos­ter and Emi­lie Grif­fin. New York: Harper­One, 2000
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